It doesn't surprise me, having felt each and every individual organ within my own fat stomach and rib-cage vibrate at precise moments of sonic resonance as one shimmied one's way past Studio One in Ledbury Road, or at one of forty-four other sound systems and floats.
Trouble is, I love it - and feel strongly that anyone who is lucky enough to live within that golden square mile or two has a cast-iron obligation to put up with the annual Carnival. Or shut up. Or get better insurance!
Of course some were louder than others; even the floats seemed louder to me this year and I am a deaf old mutt. There was one particular sound system that got my eyeballs vibrating - a most peculiar and not totally unpleasant sensation.

From clomping horse-hooves to throbbing Zeppelins, rumbling Routemasters and clanking tube trains 5 metres beneath, the city has always seemed to conspire against its poorly-built living quarters.
Heavy Biblical lesson stuff was always a big feature of deep bass dub roots rock reggae, and they could surely have told us all about the walls of Jericho and how not to build our brick and plaster houses on these quivering, shifting, blancmange-like lakes of mud we call Greater London.
Now I have to feel for poor Rachel - just a few square metres of ceiling collapse is a horrible thing, as I know in this jerry-built fire damaged servants' quarters of an abode in fucking Clapham. All that dust and soot, and how heavy plaster is!
But - no. She survived, her house has survived. Things were so much worse, esp in the 1940s. Chin up, dear! Brave face on it, innit? Stiff upper!
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